Try it. It’s very good tasting. | Talking Wine with Elizabeth Banks | Archer Roose Wines - Ad Analysis

AI Editor notes
Straight from the gut!!
“This is smart. Really smart. Instead of a celebrity just holding a can and smiling, they made her the joke—and by extension, the entire category's marketing conventions. It feels authentic *because* it's lampooning the inauthenticity of ads. The final, exasperated line, "It's very good tasting," is perfect. It's what a real person would say, and it makes me trust the brand more than any nonsense about vanilla notes.”
Quick Summary
This ad effectively uses its celebrity co-owner, Elizabeth Banks, to mock the pretentious and absurd language of traditional wine advertising. By showing her 'fail' to deliver typical ad copy, Archer Roose positions itself as a refreshingly honest, unpretentious, and relatable brand in a category often perceived as stuffy, landing on a simple truth: it's just 'very good tasting.'
Executive Summary
Archer Roose's 'It's very good tasting' is a clever piece of advertising that understands its audience and its category. Instead of trying to beat traditional wineries at their own game, it chooses to ridicule the game itself. The core of the campaign is a simple, relatable human truth: the language of wine tasting is often absurd and alienating. Most people don't detect 'juicy blackberry and warm vanilla'; they just want to know if the wine is good. This ad taps directly into that feeling of skepticism.
The execution follows a classic Setup-Turn-Payoff structure, all within a tight 30 seconds. The Setup establishes the scene as a polished, stereotypical wine commercial. We see a celebrity, Elizabeth Banks, in a beautiful kitchen, holding a glass of wine and reciting the expected tasting notes. The Turn happens almost immediately with her off-color 'drinkable candle' comparison, followed by the reveal that she is on a set, struggling to deliver lines deemed acceptable by some unseen producer. This meta-narrative, showing the 'behind-the-scenes' failure to create a conventional ad, becomes the ad itself. The humor escalates with each bleeped-out, ridiculous analogy ('a heated leather seat on your buttcrack'). The Payoff is Banks' frustrated outburst, 'What do you want from me?!', and her final, defeated concession: 'Fine. Archer Roose Malbec. It's very good tasting.' This final line acts as the thesis statement for the entire brand—we're done with the nonsense, here's the simple truth.
What the team should learn from this is the power of leveraging a celebrity's involvement authentically. Banks isn't just a paid face; she is the brand's co-owner and Chief Creative Officer. Using her in a role where she is creatively 'stifled' is a brilliant, self-aware move that makes the brand feel transparent and trustworthy. It perfectly positions Archer Roose as the down-to-earth, witty, and modern alternative for Millennials who are tired of being marketed to with pretentious jargon. It builds the brand by deconstructing the very idea of how brands in its category are supposed to be built.
Theme Keywords
Brand Position
The unpretentious luxury wine for modern drinkers.
Brand Archetype
The Jester
Creative Game Plan
Expose the absurdity of wine snobbery by showing our celebrity CCO fail to deliver a conventional ad, proving our brand is refreshingly honest.
Diagnosis: Issues & Solutions
Primary Issue: Emotional Connection
The Problem:
The ad's humor is its greatest strength, but it leans so heavily into irreverence that it might inadvertently undermine its own 'luxury wine' positioning. A viewer might remember the joke but question if the product is genuinely high-quality or just a gimmick.
The Solution:
Future spots could subtly layer in visual cues of genuine, aspirational enjoyment—without dialogue—to balance the humor. Show the wine being enjoyed in a cool, unstuffy but clearly premium setting to let the quality speak for itself, reinforcing the 'luxury' promise that the comedy playfully mocks.
Secondary Issue: Clarity of "What's Next?"
The Problem:
The call-to-action is entirely implicit. The ad does a fantastic job of making you want to try the product, but it offers no immediate path to do so, missing an opportunity to convert interest into a sale.
The Solution:
A simple, non-intrusive graphic at the end (e.g., 'Find us in the chilled aisle' or 'Shop now at ArcherRoose.com') could provide a clear next step without disrupting the comedic tone of the ad.
Additional Notes
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