Bismillah... semoga panennya bagus.

Seedance 2.0 Use the attached storyboard as the exact visual reference. Maintain the exact appearance of the same Indonesian farmer throughout the entire video. Male, approximately 45 years old, tan skin, humble face with a warm smile, short black hair with a few gray strands, average build, wearing a traditional Indonesian straw hat (caping), faded olive-green long-sleeve shirt with rolled-up sleeves, dark brown work pants, black rubber boots, and carrying traditional farming tools. Absolute facial consistency, outfit consistency, body proportions, and environment consistency throughout the entire video. STYLE: Ultra realistic documentary filmmaking, Indonesia 2026, Kodak Portra 400 color grading, cinematic natural lighting, handheld documentary camera, subtle film grain, authentic Indonesian countryside, lush rice fields, realistic physics, natural facial expressions, shallow depth of field. DURATION: 15 Seconds ASPECT RATIO: 16:9 AUDIO: Authentic Indonesian countryside ambience. Roosters crowing before sunrise. Morning birds. Soft wind across rice fields. Footsteps on muddy paths. Insects. Harvest sounds. Rice plants swaying. Natural village ambience. No background music. IMPORTANT: All spoken dialogue MUST remain in Indonesian. Display subtitles only while dialogue is spoken. Subtitle format: • First line: English • Second line: Simplified Chinese Modern white sans-serif font with thin black outline. No subtitles during silent moments. ━━━━━━━━━━━━━━━━━━ SHOT 1 (0–2s) Wide establishing shot. Before sunrise. A simple Indonesian village. The farmer walks out of his modest home carrying a hoe over his shoulder. Thin morning mist covers the rice fields. A rooster crows. Natural handheld documentary movement. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 2 (2–4s) Wide tracking shot. The farmer walks along narrow rice field paths. Morning dew sparkles on the rice plants. Golden sunrise slowly appears behind distant mountains. He smiles gently and says: "Bismillah... semoga panennya bagus." English: "In God's name... may this harvest be a good one." Chinese: "奉真主之名，希望今年丰收。" Natural walking motion. ━━━━━━━━━━━━━━━━━━ SHOT 3 (4–6s) Medium shot. The farmer works the muddy rice field using a hoe. Mud splashes naturally. Sweat forms on his forehead. Birds fly overhead. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 4 (6–8s) Close-up. He gently holds a golden rice stalk. The grains are full and ready for harvest. He smiles with gratitude and says: "Alhamdulillah... mulai siap dipanen." English: "Thank God... it's almost ready for harvest." Chinese: "感谢真主，终于快可以收割了。" Beautiful close-up with warm sunlight. ━━━━━━━━━━━━━━━━━━ SHOT 5 (8–10s) Wide cinematic shot. Several Indonesian farmers harvest rice together using traditional sickles. Golden rice fields stretch toward the horizon. Natural teamwork. Authentic harvesting movement. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 6 (10–12s) Medium tracking shot. The farmer carries a heavy sack of freshly harvested rice over his shoulder. His clothes are wet with sweat. He continues walking proudly through the rice field. No dialogue. ━━━━━━━━━━━━━━━━━━ SHOT 7 (12–14s) Wide drone shot. A breathtaking golden rice field during late afternoon. The farmer stands quietly overlooking the harvested fields. A gentle breeze moves the rice plants. He smiles and says: "Capek... tapi hati senang." English: "Tired... but my heart is happy." Chinese: "虽然很累，但心里很满足。" Slow cinematic drone movement. ━━━━━━━━━━━━━━━━━━ SHOT 8 (14–15s) Drone pull-back. Golden sunset. The farmer walks home along the rice field path carrying his hoe. The orange sky reflects beautifully across the irrigation canal. The drone slowly rises higher, revealing endless Indonesian rice fields. Fade out. ━━━━━━━━━━━━━━━━━━ NEGATIVE PROMPT No anime. No CGI. No unrealistic farming equipment. No oversized rice plants. No dramatic movie action. No beauty filters. No duplicated people. No extra fingers. No blurry face. No incorrect subtitles. No watermark. No logo. No text except English and Simplified Chinese subtitles during dialogue. Everything should feel like a real documentary filmed in rural Indonesia in 2026, with authentic farming activities, natural acting, realistic lighting, genuine emotions, and beautiful Indonesian countryside scenery.