Sir, yahan koi nahi hai… sirf cows hain.

A hyper-real fast paced action sequence set in the Punjab countryside during daytime but overcast. Mustard fields, muddy path, scattered trees, a group of cows grazing calmly. Slight dust in the air. Sound: distant gunshots, heavy breathing, drone buzz approaching. Shot 1 (0–2s): Dutch angle An Indian woman in a red sari with shorts underneath runs fast through muddy farmland, barefoot slipping slightly. Gunshots echo behind her. She looks back, terrified, breathing hard. Shot 2 (2-5s): She skids in wet sludge, nearly falling, stopping beside a group of calm Jersey cows. She quickly raises her wrist and taps a device. A faint mechanical sound begins. Shot 3 (5-10s): One cow beside her splits open seamlessly—its head tilts, back panels slide apart, revealing a hollow, metallic interior disguised beneath organic texture. She doesn’t hesitate—runs through the mud and gets into the cow. The cow closes instantly, returning to a normal grazing posture. Shot 4 (10–13s): Seconds later—armed soldiers rush in with rifles. A small surveillance drone hovers overhead, scanning. One soldier speaks into radio (Hindi): “Sir, yahan koi nahi hai… sirf cows hain.” (“Sir, no one’s here… only cows.”) They scan briefly, confused. Shot 5 (13–15s): Quick interior cut—dim, woman sitting inside the cow. She watches everything on a screen inside , breathing quietly. Outside, soldiers begin to leave. Back to exterior—calm cows grazing again.