EE | iPhone 13 Pro: Best just got better - Ad Analysis

EE
Mobile Network
Product Launch
Kevin Bacon
EE | iPhone 13 Pro: Best just got better
Experimental
8/10
Powerhouse
The ad's primary objective is to drive action—specifically, getting the new iPhone on EE. It sacrifices deep emotional resonance for exceptional clarity and brand distinctiveness, a smart trade-off. The execution is so clean and the strategy so fitting for the objective that it achieves a high level of overall impact. It's a textbook example of effective, celebrity-led retail advertising.
Clarity Of Message
The message is exceptionally clear: the new iPhone is here, and it works best on our network, which is also still the best. The 'lie' concept neatly packages two key proof points into one simple idea.
Brand Distinctiveness
The combination of Kevin Bacon and the specific, dryly humorous tone is highly ownable for EE in the UK market. A competitor could not have run this ad. [4, 13]
Memorability And Hook
The opening line, 'Last year... I lied,' is an effective hook that immediately grabs attention and creates curiosity. It’s a memorable twist on a standard testimonial format.
Emotional Resonance
The ad doesn't aim for deep emotion, opting instead for charm and humor. While it doesn't create a powerful feeling, the wry, confessional tone generates a sense of knowing amusement.
Business Objective Fit
For a product launch campaign, this is perfectly designed. It announces the new device, provides a key feature demo (Cinematic Mode), and ties it directly to the brand's core value proposition (best network). [4]
Call To Action
The call to action is implicit but clear: 'Get the iPhone 13 Pro on the UK's Best Network.' It's not a direct-response driver but effectively sets the consideration frame for potential buyers.
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AI Editor notes

Straight from the gut!!

This is a classic, solid piece of British advertising. The mock-apology is a smart, simple hook that respects the audience's intelligence. Using Kevin Bacon, who is basically part of the furniture for EE now, makes the whole thing feel effortless. It’s not going to win a bunch of creative awards for being edgy, but it absolutely gets the job done. It's clear, confident, and quietly funny.

Quick Summary

This ad cleverly weaponizes the audience's fatigue with annual 'best ever' product claims. By framing their update as a humorous, deadpan 'apology,' EE simultaneously launches the new iPhone 13 Pro and reinforces its own network superiority in a way that feels self-aware and distinctive.

Executive Summary

In the relentless cycle of tech upgrades, consumer cynicism is a powerful force. EE’s “Best just got better” spot cleverly taps into this sentiment, not by fighting it, but by joining in on the joke. The ad succeeds by transforming a standard product announcement into a piece of self-aware brand commentary, proving that consistency in strategy and a simple creative twist can be more effective than chasing novelty.

The Core Insight here is that audiences are weary of the annual marketing hyperbole declaring each new product the 'best ever,' only for it to be superseded twelve months later. Rather than ignoring this truth, EE embraces it. The entire concept is built on a mock-serious apology for having been right last year, a premise that feels refreshingly honest and disarming.

The execution follows a simple Setup-Turn-Payoff structure. The Setup is immediate: Kevin Bacon, EE's long-standing spokesman, opens with the confession, 'Last year, I told you EE had the best iPhone ever. I lied.' This is the hook, a pattern interrupt that defies the expected celebrity endorsement. The Turn happens as he reveals the nature of the lie: it's not that the previous claim was false, but that the new iPhone 13 Pro is now even better. He provides a quick, tangible proof point by demonstrating the 'Cinematic Mode'—a smart way to integrate a product demo without breaking the narrative. The genius of the script is repeating this structure for the brand itself: he 'lied' that EE was the best network for seven years, because it's now eight. The Payoff is the wry smile and the final line tying the product (the iPhone) to the service (the network), summed up by the clear on-screen graphic. The ad doesn't just sell a phone; it sells the phone on EE, making the two propositions feel inseparable.

The Debrief for the marketing team is twofold. First, it demonstrates the immense value of a long-term celebrity partnership. Bacon's tenure with the brand allows for this kind of meta-commentary that wouldn't work with a new face. [4, 13] Second, it proves that a campaign doesn't need to be loud to be heard. In a sea of flashy, effects-driven commercials, this quiet, confident, and funny spot stands out because of its simplicity and the intelligence of its core idea.

Theme Keywords

Celebrity Endorsement
Humor
Product Launch
Testimonial
Brand Heritage

Brand Position

The UK's number one network for performance and reliability, the best place for the best new tech.

Brand Archetype

The Ruler – Confident, authoritative, and a leader in its category.

Creative Game Plan

Subvert the tiresome annual tech upgrade narrative by having our celebrity spokesperson humorously 'apologize' for last year's claims being outdated by our own new, better offerings.

Diagnosis: Issues & Solutions

Primary Issue: Strategic Sense

The Problem:

The ad's core joke—apologizing for last year's claim—relies heavily on the viewer having seen or remembering the previous year's campaign. For an audience without that context, the 'I lied' opening might cause a moment of genuine confusion rather than landing as a clever, self-referential gag.

The Solution:

To make the concept more self-contained, a simple text overlay at the start saying 'Last Year's Ad...' before Bacon speaks could have provided the necessary context instantly, ensuring the joke lands with 100% of the audience, not just those familiar with the ongoing campaign.

Secondary Issue: Clarity of "What's Next?"

The Problem:

The ad does a great job of building desire but offers a very passive call to action. It simply states the availability ('Get the new iPhone 13 Pro on the UK's best network') without providing a clear, immediate next step for the interested consumer.

The Solution:

A more direct call to action, such as adding a specific URL like 'ee.co.uk/iphone' to the end-card or a voiceover prompt to 'Visit ee.co.uk to learn more,' would have translated the ad's persuasive power into a more measurable, actionable pathway for consumers.

Additional Notes

Credits

Title:EE iPhone 13 Pro: A Sincere Apology
Brand:EE
Product Category:Mobile Network
Parent Entity:BT Group
Campaign Category:Product Launch,Brand Building
Campaign Objective:Product Launch
Creative Format:Humorous
Visual Style:Live Action
Target Audience Primary:Multi-generational
Geographic Scope:National
Platform Focus:Connected TV/OTT
Cultural Context:Year-round/Evergreen
Market Position:Market Leader
Runtime:0:30
Celebrity:Kevin Bacon
Celebrity Context:as brand spokesperson
Geography:United Kingdom
Agency:Saatchi & Saatchi London
Director:Marcus Svanberg
Campaign Launch Date:2021-10-06

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